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Chimamanda Ngozi Adichie on Chinua Achebe in Salon.com

January 26th, 2010 by Jani

Chimamanda Ngozi AdichieChinua Achebe

The African TrilogyThe Education of a British-Protected ChildThings Fall ApartHalf of a Yellow Sun The Thing Around Your NeckThe following article on Chinua Achebe, by his compatriot and, some would say, heiress, Chimamanda Ngozi Adichie, appears as the introduction to a new edition of Achebe’s seminal novels, The African Trilogy: Things Fall Apart, No Longer at Ease, and Arrow of God.

When, in 1958, the London publishers William Heinemann received a manuscript of Chinua Achebe’s “Things Fall Apart,” they were unsure whether to publish it. The central question, according to editor Alan Hill, was this: “Would anyone possibly buy a novel by an African?” Not only were there a mere handful of examples of African writing in English at the time – such as Amos Tutuola’s surreal “The Palm-Wine Drinkard” and Cyprian Ekwensi’s novel of contemporary Lagos, “People of the City” – but none of them had the ambition, the subtlety, or the confidence of “Things Fall Apart.”

Chinua Achebe had initially conceived it as a story of three generations: a man in pre-colonial Igboland who struggles against the changes brought by the first European missionaries and administrators; his son who converts to Christianity and receives some Western education; and his grandson who is educated in England and is living the life of the new elite on the cusp of independence. Achebe later scaled down the novel, focusing only on the first generation, to produce a carefully observed story of the African-European colonial encounter set among the Igbo people of southeastern Nigeria in the 1890s, with the tragic hero Okonkwo at its center. Achebe’s second novel, “No Longer At Ease,” would skip a generation and tell the story of Okonkwo’s grandson, Obi, a civil servant in 1950s Lagos. His third novel, “Arrow of God,” about an Igbo priest and a British district officer in 1920s Igboland, can be read as representative of the times of Okonkwo’s son. All three novels, taken together as Achebe’s “African Trilogy,” create a full and beautifully nuanced arc, a human chronicle of the cultural and political changes that brought about what is now seen as the modern African state.

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Photos courtesy PEN American Center and Angela Radulescu


Recent comments:
  • <a href="http://helenmoffett.book.co.za" rel="nofollow">Helen</a>
    Helen
    January 26th, 2010 @11:43 #
     
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    Ben-E, I want to read the entire article, and the Salon.com link just keeps saying "Not Found". Help?

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  • <a href="http://helenmoffett.book.co.za" rel="nofollow">Helen</a>
    Helen
    January 26th, 2010 @11:47 #
     
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    Sorry, my bad. Just hit the magic "refresh" button, and all was well. Here's the direct link if anyone else is having hang-ups: http://www.salon.com/books/feature/2010/01/23/chinamanda_adichie_chinua_achebe/

    And in a nice unplanned moment of cyber-intertextuality, here's Richard de Nooy on Things Fall Apart: http://richarddenooy.book.co.za/blog/2010/01/25/things-fall-apart-again-raising-more-questions/

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  • <a href="http://book.co.za" rel="nofollow">Ben - Editor</a>
    Ben - Editor
    January 26th, 2010 @11:55 #
     
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    Whew, gave me a wee jolt there, Helen.

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  • <a href="http://helenmoffett.book.co.za" rel="nofollow">Helen</a>
    Helen
    January 26th, 2010 @12:07 #
     
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    Just keeping you on your toes, dear Mr Editor.

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  • <a href="http://richarddenooy.book.co.za" rel="nofollow">Richard de Nooy</a>
    Richard de Nooy
    January 26th, 2010 @13:01 #
     
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    Such an intriguing alternative perspective. We really are fortunate to have such ready access to so many viewpoints. It would be wonderful to sit down and discuss all of this at length.

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  • <a href="http://helenmoffett.book.co.za" rel="nofollow">Helen</a>
    Helen
    January 26th, 2010 @16:17 #
     
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    Wonderful indeed.

    For now, here's an moving paragraph from Adichie's piece: "[A]s an adult confronting the portrayals of Africa in non-African literature – Africa as a place without history, without humanity, without hope – and filled with that peculiar sense of defensiveness and vulnerability that comes with knowing that your humanity is seen as negotiable, I would turn again to Achebe’s novels ... [where] ... I found a gentle reprimand: Don’t you dare believe other people’s stories of you."

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